Poetry
Club
KS, a friend from my
High school days ( 1958 onwards), is a man of learning. He reads a lot and
particularly in this context he is well read in English and Kannada Poetry.
Before I write about the
Poetry club I should talk about my association with KS. He was my class mate in
High school. He was the best educated in our class – particularly in languages,
literary things. His father being a teacher would have helped. He came from
a lower middle class and his father had many sisters ( spread over
many years ) whose weddings were expensive and a great
financial burden. They ( father,mother,sister,brother and KS ) lived in one
room / hall house and electricity – on and off – was controlled by the owner !
His ( and his brother’s etc ) clothes would hang from a rope stretched across
the room. As he said once – one set of dress would suffice from Monday through
Friday. In the class KS would write short articles, poems etc for ‘
private’ circulation. Paper that was required was supplied in a ingenious way
by Kuppanna, one of our friends. He would borrow notebooks ( ‘ notes ‘ ) from
many and carefully remove blank sheets ( just enough to evade detection ) to
form the journal. We were enthusiastic readers even if we did not understand
much of what was written. We felt special in some way. KS
would whole heartedly help any one with grammar, last minute answers, brief
summary for the exams etc
We – Sujatha and
Subhash, Usha and I – would meet generally at Subhash’s place every
Sunday morning and wait for KS. This was in 1970’s. Though we called ourselves
Poetry Club it was essentially KS reading and interpreting Poems. Over time the
club had many more visitors – I recall two school
teachers, a scientist from IISc and one or two more. Hamlet, Eliot,
Pound, Yeats, Hopkins, Auden, Shakespeare, Adiga, Bendre, KSNarasimha Swamy, Kumaravyasa
all visited us. KS would actually study the whole week, collect
relevant articles, sometimes criticisms from published books, make notes and
bring them to us on Sunday (sometimes even Xerox copies of poems
too). For this he would visit Libraries, speak to people and collect articles.
It went on for two or three years but collapsed after KS married and his wife
had no interest in this. ‘ Poetry Club ‘ invited Adiga and Gokak (
on two different occasions ) and they came and talked to us. Looking back it is
really amazing how such eminent men came to us ( self styled Poetry club ) and
discussed literature with us. Hats off to them. It was essentially due to KS -
because his learning and depth of understanding must have impressed them.
Personally I learnt a
great deal. The Sunday morning meeting was an important event for
me. Eliot, Auden, Hopkins or Pound I would not have read at all but for KS. I
still have notes of those days. It brings back very pleasant memories. Looking
back I recall many fond memories Usha and I had over the
years. The beauty and sensitivity in Poems and plays of great
authors simply overwhelmed me. I believe that it introduced new ideas,
broadened my out look, improved my sensitivity and most importantly brought
immense joy.
For example, we studied for
several weeks Kumaravyasa’s Bharata. It instilled a great admiration for
Kumaravyasa and so many episodes of Mahabharata came alive. Later I heard the
entire epic recited by Keshava Murthy and have been thrilled. It
was cassette days and it would be side A for onward trip to Infosys
and on return it would be side B . I must have done it for about 7 –
8 months . God help the driver ! I heard
it again and again- sometimes reading from a copy of Bharata my grand father
possessed ( paid Rs 2 / in 1958 ). I have also wondered what my
grand father liked in it. I have heard him read it aloud sitting on his bed in
a loud and clear voice. I was too young at that time and in any case had never
had any exposure to Kumaravyasa at that time. I wish I had talked to him on
that.
The human response,
although mouthed by heroes, Gods and others was particularly touching.
Poetry opened new
perceptions for me. Its ability to evoke complex feelings, to evoke association
of ideas across a spectrum and sheer magic of language spell binds me. The
flavor, touch, feel, breadth, intensity and depth of a person’s experience
rooted in its nativity, characterized by its uniqueness- when
touched by creativity - transcends time and space. You feel the sadness of a
young woman waiting for husband ( Pound ), anguish and anger of a woman wronged
( Draupadi ) , intense feeling of empathy of an evolved soul for the injustice
meted out to her ( Krishna ), share anxiety and uncertainty and hope for a new
born (Yeats ), rich and complex experience ( Shakespeare ), so many
descriptions and characters ( Dickens – even if not poetry ) --- all
become ours. They speak to us across continents and across centuries. Truly,
personal becomes universal.
Bheeshma taking a vow
not to marry or become the king
ಆದರಿಲ್ಲಿಂ ಮೇಲೆ ನಾರಿಯರಾದರು ಭಾಗೀರಥಿಗೆ ಸರಿ
ಮೇದಿನಿಯ ಸಲಿಸುವೆನು ನಿನ್ನಯ ಮಗಳ ಮಕ್ಕಳಿಗೆ
ಈ ದಿವಿಜರೀ ಹರಿಹರ ಬ್ರಹ್ಮಾದಿ ದೇವರು ಸಾಕ್ಷಿ ಹೋಗೆಂದ
Vidura cautioning
Duryodhana not to insult Draupadi
ಸಿಡಿಲ ಪೊಟ್ಟಣಗಟ್ಟಿ ಸೇಕವ ಕೊಡುವರೇ
Draupadi in anguish
ಪತಿಗಳೆನ್ನನು ಮಾರಿ ಧರ್ಮಸ್ಥಿತಿಯ ಕೊಂಡರು
Bheema deciding to kill
Keechaka – consequences be damned
ನಾವೀ ಭಂಡತನದಲಿ ಬದುಕಲರಿಯೆವು ಧರ್ಮಗಿರ್ಮವನು
ಕೊಂಡು ಕೊನರುವರಲ್ಲ
Krishna’s Tongue in
cheek remark
ದೇವನೆಂದೇ ನೀವು ಬಗೆದಿರಿ, ದೇವತನ ನಮ್ಮಲ್ಲಿ ಲವವಿಲ್ಲ ,
ಆವು ಬಲ್ಲೆವು
Krishna’s recollection
of Draupadi’s cry for help
ಕಮಲಮುಖಿ ಸುಲಿವಡೆದು ಲಕ್ಷೀರಮಣ, ಲಕ್ಷೀರಮಣ, ಲಕ್ಷೀರಮಣಯೆಂದೊರಲಿದೊಡೆ
ಸಂಜಯ ನೊಂದೆ ನಾನೆಂದ
Draupadi taunting her
husbands
ಗಂಡರೋ ನೀವ್ ಷಂಡರೋ ಹೇಳೆಂದಳಿಂದುಮುಖಿ
Somewhere else
ಸತ್ಯದ ನುಡಿಗೆ ಹಾದರವಿಲ್ಲ
These have held personal
meanings to me. I recalled them when watching Pandavani by Tejan Bai or
a dance drama or reading Iravati Karve’s book. There is a universality – going
beyond time and space of original story - that appeals to me enormously.
Or on an entirely
different note,
Eliot :
April is the cruellest month, breeding
Lilacs out of the dead land, mixing
Memory
and desire, stirring
Dull
roots with spring rain.
….
Unreal City,
Under the brown fog of a
winter dawn,
A crowd flowed over
London Bridge, so many,
I had not thought death
had undone so many.
‘’’’
Then spoke the thunder
DA
Datta: what
have we given?
…
DA
Dayadhvam: I
have heard the key
…
DA
Damyata: The
boat responded
Gaily, to the hand expert
with sail and oar
The sea was calm, your
heart would have responded
Gaily, when invited,
beating obedient
To controlling hands
Pound :
…
At fourteen I married My Lord you.
I never laughed, being bashful.
Lowering my head, I looked at the wall.
Called to, a thousand times, I never looked
back.
….
And you have been gone five months.
The monkeys make sorrowful noise overhead.
Dylan Thomas
Do not go gentle into that good night,
Old age should burn and rage at close of day;
Rage, rage against the dying of the light.
Old age should burn and rage at close of day;
Rage, rage against the dying of the light.
…
Another poem of his :
The force that through the green fuse drives the
flower
Drives my green age; that blasts the roots of
trees
Is my destroyer.
And I am dumb to tell the crooked rose
My youth is bent by the same wintry fever.
…
The force that drives the water through the
rocks
Drives my red blood; that dries the mouthing
streams
Turns mine to wax.
…
Hamlet
The lady doth protest too much, methinks.”
One may smile, and smile, and be a villain. ”
“Conscience doth make cowards of us all.”
“To be, or not to be: that is the question:
Whether 'tis nobler in the mind to suffer
The slings and arrows of outrageous fortune,
Or to take arms against a sea of troubles,
And by opposing end them?
Yeats
Once more the storm is howling, and half hid
Under this cradle-hood and coverlid
My child sleeps on.
…
May she become a flourishing hidden tree
That all her thoughts may like the linnet be,
…
ಕೂಪಮಂಡೂಕ
ನೀನೆಲ್ಲಿ ಈಗ : ಹೆಗಲಿಗೆ ಹೆಗಲ
ಕೊಟ್ಟವನು,
ಹಾಯಿಯನ್ನುರುಟುರು
ಟು ಊದಿದವನು,
ದಾರಿಯುದ್ದಕ್ಕು ರಹದಾರಿ ಗಿಟ್ಟಿಸಿ ದಿಳ್ಳಿ,
ದ್ವೀಪಾಂತರಕ್ಕೆ ಕೈ ಕೊಟ್ಟ ಸಖನು ?
ಪ್ರತಿ ನಿಮಿಷವೂ ಮಹಾಯಾತ್ರೆ :
ತೇರಿನ ಮಿಣಿಗೆ
ನನ್ನದೇ ತೋಳು, ನಿನ್ನದೆ ಘೋಷಣೆ
ರಾಮನವಮಿಯ
ದಿವಸ
ಶ್ರೀ ರಾಮನವಮಿಯ ದಿವಸ ರಾಮನಾಮಾಮೃತವೆ
ಪಾನಕ,ಪನಿವರ,ಕೋಸಂಬರಿ;
……..
ಹುತ್ತುಗಟ್ಟದೆ ಚಿತ್ತ ಮತ್ತೆ ಕೆತ್ತೀತೇನು
ಪುರುಷೋತ್ತಮನ ಆ ಅಂಥ ರೂಪ-ರೇಖೆ ?
ಮೋಹನ
ಮುರಳಿ
ಯಾವ ಮೋಹನ ಮುರಳಿ ಕರೆಯಿತು ದೂರ
ತೀರಕೆ ನಿನ್ನನು
ಯಾವ ಬೃಂದಾವನ ಸೆಲೆಯಿತು ನಿನ್ನ
ಮಣ್ಣಿನ ಕಣ್ಣನು
My life was enriched.
As I write this I have a
very strong desire to read many of the poems again.
( Strangely I
found KS not so sensitive to movies or plays. I have a vague theory that
involving space, movement, background etc he was not so receptive. Words moved
him more. That is why I have not heard him exclaiming with delight after
watching Pather Panchali or Jal sagar or Becket or Gopi Gaye.. , or
Mandi or Hamsa Geethe or My Fair Lady etc . I am sure he liked many of them but
the sparkle in his eyes while reciting a poem was not there. But music he is
fond of and knowledgeable in it too. )
K Srinivas – KS - : Sri
Gurubho Namah